Looking For The Lost Beauty -- Thinking From The 2011 China International Textile Design Competition
Not long ago,
Jieshi Bridge Cup 2011 China International Textile Design Competition
In Nantong, hundreds of works were screened by experts. Finally, the product design single award, national style design award, style design award, product matching design award and fabric color design award were finally awarded.
This time, the proportion of hand-painted works accounted for most of the proportion. Zhang Yi, an associate professor of the art school of Nantong University, said that high-end hand-painted will be the future of Chinese home textiles.
And the whole design competition embodies five features: first, the use of the traditional elements, the two is the bold absorption of new materials, three is the hand drawing ability, four is the practice of low carbon concept, and the five is the comprehensive application of complex technology.
Big beauty design tremor senses
In the selection of the scene, some excellent works made the judges moved. "Blend", the home textile design with the Dunhuang element as the main factor, made the Dunhuang frescoes look graceful and full of rhythm under the refraction of the light, and the skin was delicate and full, especially the colors of the work were gorgeous and brilliant, and shiny and bright.
The rich and dreamlike colors of Dunhuang are most vividly displayed through the use of various silk threads.
The whole work combines classical Dunhuang with modern home furnishing, bringing beautiful and gorgeous visual effects.
The work "ripples" embodies the decoration form and the ever-changing design method of traditional architecture in the south of Anhui Province. From afar, the villages in the works are surrounded by Castle Peak, surrounded by streams, the horse head walls are scattered, the houses are dense and interlinked, and the lingering charm is made. The tone of the buildings is simple and elegant, and the harmony and harmony with the natural mountains and rivers echoes together.
With an oil paper umbrella, it reveals a little bit of the shoulder, showing the unique charm of the classical woman, plus the gentle and tranquil beauty of gestures, or gorgeous or clear, sending out the enchanting charm of the desire to speak, meeting with him in a certain lane of the town, and then they will be entangled in the ten fingers, supporting the wet oil paper umbrella and wandering in the Jiangnan landscape full of moss vine. "The rain lane", which depicts the scene of Southern Anhui in April, is a delicate southern woman wearing a cheongsam in the misty rain.
In the yard, red cherry and green banana.
Another picture of the hundred children's picture is a beautiful and colorful hundred child playful picture.
Innocent children stand or squatting in the attic of the pavilion, chasing, playing, playing, playing hide and seek or flying kites, playing firecrackers, or holding colorful flags in the wind.
This is a reporter's deep memory of the design competition. These memories of the journalist's works, though they do not know whether they can win the prize, have broken through the old design stumbling blocks, and refreshed people's long-lasting memory, which indicates that China's home textile design will go all the way.
And the experts' comments made the competition more highly.
Wang Qingzhen, deputy director and professor of dyeing and clothing department of Luxun Academy of Fine Arts, said: "from the overall point of view of the competition, there are many works with a sense of fashion, simplicity and close to the theme. The designers and students have a good grasp of it, and also reflect the original spirit of the competition."
Li Bo, director and associate professor of the Department of design and art at Nantong Textile Vocational Technology College, said: "this competition has set up a platform for the exchange of students, especially for students coming out of the ivory tower. It has also provided opportunities for industry experts and experts to pay attention to the design of colleges and universities. These are helpful for their future development and also provide a good opportunity for improving the quality of students."
Xu Bo, President and senior engineer of Henan Home Textile Association, said: "watching these young people's energetic and innovative works makes me more convinced of the significance of holding this competition.
I hope that while advocating the concept of simple and fashionable life, we will excavate more creative designs in the group of college students to provide fresh blood for the home textile design industry and promote the sustainable development of the industry and domestic design circles in the future.
The road of high-end hand-painted art
Almost all experts agree that the design of industrial design is becoming more and more popular with designers.
But in fact, this is a kind of misunderstanding and deviation. Design is the artistic pursuit that leads to life and leads to life. The light attitude towards design will add fuel to the flames of "fast life".
In busy and confusing cities, more and more people begin to reflect on the value of their lives.
Giving up the busy philosophy of life and turning to a slow pace of life may be more rewarding than economic success and social status.
Today, people who are free and comfortable have already been able to enjoy their food and clothing.
After careful consideration, many busy days are forced, and we impose too much on ourselves.
But the nature of self has been buried by rapid economic growth.
Slow life can be said to be a revolution in the way of human life. Many excellent hand painted works have conquered many judges with the concept of "slow design" in this competition.
Wang Fuwen, a senior craft artist and a special allowance expert from the State Council, said: "good design works must have both the feelings of poets and philosophers, and both styles and techniques of painting.
The paintings on the market are too fast and repetitive in style. This is the most fatal weakness.
Liu Shuhu, the design director and senior engineer of Shandong Fu Shi Group, also believes that many of the popular design works on the market are good at painting but lack of writers' thoughts, leading to many mediocre and superficial pictures.
This time, many high-end hand-painted works seem to have seen the important task of Chinese textile design: design itself is not only a skill, but also a way of leading life, and even determines the future of aesthetic orientation and industrial design.
Experts attending the meeting believe that although the choice of haste is an undisputable pursuit, the choice of slow is a self importance attitude towards life.
Slow, sometimes a way of life and life style, is sometimes a kind of ability to arrange work and life, and also a protection and reserve for limited life resources.
This is probably the inspiration that this design competition brings to people.
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